In Coralie Fargeat's brand-new feminist horror motion picture The Substance, hazardous popular charm specifications are the actual monsters. They (female objectification, the fingertip of "the old," the expansion of a field built on body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality https://noraephronreview.wikistatement.com/4271234/the_substance_2024