In Coralie Fargeat's new feminist horror movie The Substance, harmful social appeal specifications are actually the real monsters. They (women objectification, the disposal of "the old," the spreading of a market improved body customization) feed a creature of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://ghoststoriesclips.mysticwiki.com/956462/the_substance
Margaret Qualley
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